REVIEW: Kagemi: Beyond the Metaphors of Mirrors

REVIEW: Grease Doesn’t Quite Electrify

Charles Lim to Represent Singapore at Venice Biennale 2015

Cartier to present “Shape Your Time” exhibition in Singapore

Audemars Piguet to Feature Kurt Hentschläger Video at Art Basel Hong Kong

NAGA Sheds its Skin to Become National Gallery Singapore

2014 Market Report: Auction Houses Zoom in on New Collectors

‘UNEARTHED’ Digs into our Relation with the Natural World

Audi Fashion Festival Singapore To Spotlight Homegrown Talent

13 Questions with Gao Weigang

Published - Fabergé: Heirlooms of the Future

Published: Qeelin Conjuring the Spirit of China

S. Sudjojono, Sudjana Kerton at Sotheby’s HK April 5

Christine Argillet on her Childhood Memories of Salvador Dali

Heman Chong on Linking Painting and Literature

Chay Yew Talks House of Bernarda Alba and Oppression

STPI to Take Rirkrit Tiravanija New Works to Art Basel

Marvin Chew Eats, Drinks and Paints in Singapore

REVIEW: Harsh Words but Plenty of Laughs with Fat Pig

Glowing Dandelions, Bulb Cloud, Raining Lights at i Light Marina Bay Festival

REVIEW: My Fair Lady Delivers 'Loverly' Tunes at Marina Bay Sands

Dick Lee Gets Ready to Celebrate with New Play, Musical Revival

Famen Temple Reveals its Secrets at Asian Civilisations Museum

The Arts House Celebrates 10 Years with “Disappearing” Act

Face to Face with Jiang Qiong’er of Shang Xia

REVIEW: Stan Lai’s "A Dream Like A Dream"

Tracy Pang on Her Upcoming “Fat Pig” Production

15 Questions with Director Stan Lai

The Lunar New Year Brings Out New Movies

Alice in Chains, Rob Zombie Lined up for Singapore Rock Festival