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By Sonia Kolesnikov-Jessop
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Showing posts from September, 2017

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GREAT WINE, GREAT ART: When vineyards become art destinations in their own right

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Opening - Jakkai Siributr @ Tyler Rollins Fine Art in NY

Thai contemporary artist Jakkai Siributr’s ‘Karma Cash & Carry’ exhibition is opening at Tyler Rollins Fine Art today. Siributr primarily works with textile and he’s known for producing meticulously handmade tapestry and installation works that make strong statements about religious, social, and political issues in contemporary Thailand. A main preoccupation of his art is the interaction of Buddhism and materialism in modern life, and the everyday popular culture of Thailand. Alluding to the way contemporary Thai popular religion incorporates such practices as fortune telling and winning lottery number prediction, Siributr organizes the exhibition around his conception of a karmic convenience store, where merit can be bought and sold. He makes use of found objects associated with bringing good fortune, integrating them into his elaborate compositions of Thai fabrics, embroidery, and hand stitched sequined work.

An Art Patron's Extraordinary Life

Peggy Guggenheim was no ordinary art collector. In her lifetime, she acquired a treasure trove of Cubist and Surrealist artworks at bargain price right before the onset of the Second World War; she ran art galleries in London and New York championing then-little known artists such as Jackson Pollock and Robert Motherwell; and she also played a significant role in positioning Venice as a contemporary art city after she moved there permanently in 1948. After her death in 1978, her Venetian home, the 18th-century Palazzo Venier dei Leoni, was transformed into a permanent exhibition space housing the Peggy Guggenheim Collection. It is now the second most visited museum in the city after the Dodge’s Palace with over 427,000 visitors a year. But while her collection is primarily renowned for its Cubist, Surrealist and Abstract Expressionist masterpieces, the new exhibition “Peggy Guggenheim: The Last Dogaressa” – running until January 27, 2020 - is aiming to showcase how wide

Helen Britton, The Artist Jeweller

From a young age, Helen Britton used art as a form of communication and was soon making jewellery. She still has a cow horn bracelet she made when she was 12 and some earrings made from old beads and fuse wire. As an artist-jeweller, Britton approaches her practice without distinguishing between forms of creative production: “Some bodies of work contain jewellery, sculpture and drawings; some only one or another — it depends on what I am trying to say.” Britton is one of the world’s most established artist-jewellers and is known for creating colourful pieces that are just as likely to include recycled plastics as precious stones. “Preciousness is a construct and culturally driven. All materials are interesting and carry their stories with them,” she says. “I choose the materials because of what they have to say and for no other reason.” Over the years, she has set blackened silver rings with diamonds and sapphires, or combined silver and pearls with plastic or glass. Her creations are

Audemars Piguet is helping artists explore the world through sound

From toadfish grunts in Panama or the sound of the Caribbean’s coral reefs to the melting icebergs in the fjords of Greenland, Jana Winderen records the soundscapes of lesser-known worlds to create compositions played in a live multichannel environment or as immersive sound installations. The Norwegian artist believes the emotive power of sounds has the ability to make us aware of how human activity compromises the environment, and notes, “I’m concerned about how human beings are leaving very little space for other creatures on the planet, and also how we are occupying all of the planet with our sounds; even at the North Pole, I’ve found human sounds.” Recently, Winderen travelled to Le Brassus, in the Valley du Joux, Switzerland, the home of watchmaker Audemars Piguet, which had commissioned her to work on its annual Origin project, where artists create works that offer their interpretations of the company’s cultural and geographical origins. She spent several days aro

Interview: Erwin Wurm on his Humanoid Sculptures

Erwin Wurm likes to distort forms. Over the years, he has slimmed down houses, fattened up cars, and used his own body to redesign the shape of furniture. “A lot of my work is about destroying one thing to create another,” the Austrian artist says of his process. One of his latest series, Stone , continues this exploration by setting small rocks on a pair of legs, giving a twist to the expression “carrying the weight of the world on your shoulders”. The small humanoid sculptures recall the Hypnosis series Wurm created in 2008, when Wurm used potato-like shapes to form the torso and head of a body in a highly polished aluminium finish on top of legs, in a contrasting matte finish. In the Stone series, the shiny aluminium potato shape has been replaced by a rock covered in greenish moss. Each work has a distinct and expressive personality due to the treatment of the white acrylic resin legs (variously posed, either standing, running, barefoot, or dressed). Inspired b

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