Skip to main content

LuxArtAsia

An Insider View on Arts and Luxury News

Search This Blog

By Sonia Kolesnikov-Jessop
FOLLOW @LUXARTASIA

Posts

Helen Britton, The Artist Jeweller

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

Deconstructing the Appeal of the Kimono

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

An Art Patron's Extraordinary Life

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

“Live your century and anticipate,” how Charlotte Perriand lived by her own words

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

Can the Art World Change its Wasteful Ways?

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

Costa Rican Artist Federico Herrero: Helping others to create freely

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

Audemars Piguet is helping artists explore the world through sound

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

Zhang Jian-Jun’s Human Traces At the Royal Academy

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

Total Pageviews

Most Read

Opening - Jakkai Siributr @ Tyler Rollins Fine Art in NY

Thai contemporary artist Jakkai Siributr’s ‘Karma Cash & Carry’ exhibition is opening at Tyler Rollins Fine Art today. Siributr primarily works with textile and he’s known for producing meticulously handmade tapestry and installation works that make strong statements about religious, social, and political issues in contemporary Thailand. A main preoccupation of his art is the interaction of Buddhism and materialism in modern life, and the everyday popular culture of Thailand. Alluding to the way contemporary Thai popular religion incorporates such practices as fortune telling and winning lottery number prediction, Siributr organizes the exhibition around his conception of a karmic convenience store, where merit can be bought and sold. He makes use of found objects associated with bringing good fortune, integrating them into his elaborate compositions of Thai fabrics, embroidery, and hand stitched sequined work.

An Art Patron's Extraordinary Life

Peggy Guggenheim was no ordinary art collector. In her lifetime, she acquired a treasure trove of Cubist and Surrealist artworks at bargain price right before the onset of the Second World War; she ran art galleries in London and New York championing then-little known artists such as Jackson Pollock and Robert Motherwell; and she also played a significant role in positioning Venice as a contemporary art city after she moved there permanently in 1948. After her death in 1978, her Venetian home, the 18th-century Palazzo Venier dei Leoni, was transformed into a permanent exhibition space housing the Peggy Guggenheim Collection. It is now the second most visited museum in the city after the Dodge’s Palace with over 427,000 visitors a year. But while her collection is primarily renowned for its Cubist, Surrealist and Abstract Expressionist masterpieces, the new exhibition “Peggy Guggenheim: The Last Dogaressa” – running until January 27, 2020 - is aiming to showcase how wide

Interview: Erwin Wurm on his Humanoid Sculptures

Erwin Wurm likes to distort forms. Over the years, he has slimmed down houses, fattened up cars, and used his own body to redesign the shape of furniture. “A lot of my work is about destroying one thing to create another,” the Austrian artist says of his process. One of his latest series, Stone , continues this exploration by setting small rocks on a pair of legs, giving a twist to the expression “carrying the weight of the world on your shoulders”. The small humanoid sculptures recall the Hypnosis series Wurm created in 2008, when Wurm used potato-like shapes to form the torso and head of a body in a highly polished aluminium finish on top of legs, in a contrasting matte finish. In the Stone series, the shiny aluminium potato shape has been replaced by a rock covered in greenish moss. Each work has a distinct and expressive personality due to the treatment of the white acrylic resin legs (variously posed, either standing, running, barefoot, or dressed). Inspired b

Zhang Jian-Jun’s Human Traces At the Royal Academy

His figurative works are perhaps less well known—largely because they have not always been exhibited—but portraiture either in oil or in photography has been recurring in his practice over the years. “Sometimes the portraiture is not facial,” he says, noting that for his 1997 mixed media installation Foot Print, he invited people to walk on a large stone island covered with water mixed with ink: “Around the island there was a canvas on the floor and after the people had walked on the stone, they would walk on the canvas leaving a faint footprint. Footprints are very individual, and over three months, there were endless footprints as people left their mark around the space. Although I didn’t draw in a face, the footprints were like a portrait of the people that came.” For Human Traces, Zhang has turned to Chinese ink and charcoal on paper to create a series of soulful portraits of 42 individuals he has met and interviewed while in London for his project. The portraits are now cr

Helen Britton, The Artist Jeweller

From a young age, Helen Britton used art as a form of communication and was soon making jewellery. She still has a cow horn bracelet she made when she was 12 and some earrings made from old beads and fuse wire. As an artist-jeweller, Britton approaches her practice without distinguishing between forms of creative production: “Some bodies of work contain jewellery, sculpture and drawings; some only one or another — it depends on what I am trying to say.” Britton is one of the world’s most established artist-jewellers and is known for creating colourful pieces that are just as likely to include recycled plastics as precious stones. “Preciousness is a construct and culturally driven. All materials are interesting and carry their stories with them,” she says. “I choose the materials because of what they have to say and for no other reason.” Over the years, she has set blackened silver rings with diamonds and sapphires, or combined silver and pearls with plastic or glass. Her creations are

Archive

February 20211
May 20201
January 20201
December 20191
October 20192
September 20192
August 20192
July 20195
June 20195
May 20196

Show more Show less

Labels

Architecture
Art Fairs
Artist Interview
Asian Art
Asian fashion
Asian films
Asian Performing Arts
Auctions
Bonhams
Books

Burmese Art
Cambodia Art
Chinese art
Christie's
Hong Kong
Indian art
Indonesia Art
Japanese Art
Korean art
Larasati
Luxury
Malaysian art
Museum
Music
Philippines Art
Published stories
Singapore
Sotheby’s
Thai Art
Travel
Vietnamese Art
Watches

Show more Show less

FOLLOW LUXARTASIA ON

FACEBOOK
INSTAGRAM

Powered by Blogger

@LUXARTASIA