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By Sonia Kolesnikov-Jessop
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Showing posts with the label Published stories

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Helen Britton, The Artist Jeweller

on February 09, 2021

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Deconstructing the Appeal of the Kimono

on May 30, 2020

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Can the Art World Change its Wasteful Ways?

on October 24, 2019

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Costa Rican Artist Federico Herrero: Helping others to create freely

on October 19, 2019

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Audemars Piguet is helping artists explore the world through sound

on September 21, 2019

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Zhang Jian-Jun’s Human Traces At the Royal Academy

on September 15, 2019

Artist Interview Chinese art Published stories

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The Ultimate Art Depot: Depot Boijmans Van Beuningen

on August 26, 2019

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An Art Collecting Journey with Han Nefkens

on August 24, 2019

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Interview: Erwin Wurm on his Humanoid Sculptures

Erwin Wurm likes to distort forms. Over the years, he has slimmed down houses, fattened up cars, and used his own body to redesign the shape of furniture. “A lot of my work is about destroying one thing to create another,” the Austrian artist says of his process. One of his latest series, Stone , continues this exploration by setting small rocks on a pair of legs, giving a twist to the expression “carrying the weight of the world on your shoulders”. The small humanoid sculptures recall the Hypnosis series Wurm created in 2008, when Wurm used potato-like shapes to form the torso and head of a body in a highly polished aluminium finish on top of legs, in a contrasting matte finish. In the Stone series, the shiny aluminium potato shape has been replaced by a rock covered in greenish moss. Each work has a distinct and expressive personality due to the treatment of the white acrylic resin legs (variously posed, either standing, running, barefoot, or dressed). Inspired b

Opening - Jakkai Siributr @ Tyler Rollins Fine Art in NY

Thai contemporary artist Jakkai Siributr’s ‘Karma Cash & Carry’ exhibition is opening at Tyler Rollins Fine Art today. Siributr primarily works with textile and he’s known for producing meticulously handmade tapestry and installation works that make strong statements about religious, social, and political issues in contemporary Thailand. A main preoccupation of his art is the interaction of Buddhism and materialism in modern life, and the everyday popular culture of Thailand. Alluding to the way contemporary Thai popular religion incorporates such practices as fortune telling and winning lottery number prediction, Siributr organizes the exhibition around his conception of a karmic convenience store, where merit can be bought and sold. He makes use of found objects associated with bringing good fortune, integrating them into his elaborate compositions of Thai fabrics, embroidery, and hand stitched sequined work.

Is there still anything new to learn about Leonardo da Vinci?

Five hundred years after his death, the world still marvels at the genius of Leonardo da Vinci, the Renaissance master who painted the Mona Lisa, but also left behind around 7,200 pages that documented his life’s work, often in scribbles and sketches. From detailing how the aortic valve in the heart works to creating an underwater diving apparatus, a glider, and the precursor to the helicopter, Leonardo left a wealth of scientific studies and mechanical inventions that are still studied today. “Even after 500 years, Leonardo remains the greatest artist-scientist — he was not just a great artist who dabbled in the sciences; had he not painted a single work, his scientific researches would still mark him out as one of the great figures of the Renaissance. To combine both achievements in a single individual is quite remarkable,” says Martin Clayton, Head of Prints and Drawings at the Royal Collection Trust and curator of the Leonardo da Vinci: A Life in Drawing, an exhibitio

An Art Patron's Extraordinary Life

Peggy Guggenheim was no ordinary art collector. In her lifetime, she acquired a treasure trove of Cubist and Surrealist artworks at bargain price right before the onset of the Second World War; she ran art galleries in London and New York championing then-little known artists such as Jackson Pollock and Robert Motherwell; and she also played a significant role in positioning Venice as a contemporary art city after she moved there permanently in 1948. After her death in 1978, her Venetian home, the 18th-century Palazzo Venier dei Leoni, was transformed into a permanent exhibition space housing the Peggy Guggenheim Collection. It is now the second most visited museum in the city after the Dodge’s Palace with over 427,000 visitors a year. But while her collection is primarily renowned for its Cubist, Surrealist and Abstract Expressionist masterpieces, the new exhibition “Peggy Guggenheim: The Last Dogaressa” – running until January 27, 2020 - is aiming to showcase how wide

In the Studio with British Artist Nigel Cooke

Ahead of Nigel Cooke’s first exhibition in Asia, at Pace Gallery in Hong Kong, I visited the British painter’s large Canterbury studio for a preview for COBOSocial.com. I spoke with the artist about his new body of work that evokes memories of landscapes and emotions, balancing figuration with abstract techniques that distorts the objects and surfaces: You haven’t had a show for two years. Why is that? I suppose it takes me a long time to make the work. Most of my energy goes into trying to find the next painting – it’s not like I have a thing to make (and) I make that and it goes off to a show; each time I have a show, I am back at the beginning. There are things that get repeated, certain things I go over and over again, but on the whole once a show is done I’m looking for something new, and that needs its own time. There is also a lot of waste in my process, I reject a lot of works. In a way, I’m looking for the ultimate painting so when a show is finished I take it all

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