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By Sonia Kolesnikov-Jessop

Showing posts from June, 2012

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Song of Nature @ Utterly Art, Singapore

Asian Art Singapore

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Wang Guangle @ The Pace Gallery, New York

Asian Art Chinese art

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Sandra Lee @ Art Seasons, Singapore

Asian Art Singapore

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The Art of Dress @ Espace Louis Vuitton Singapore

Asian Art Chinese art Singapore

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Hong Kong upcoming museum scores coup with Uli Sigg collection

Asian Art Chinese art

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The Nature of Print @ Galeri Nila, Singapore

Asian Art Singapore

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Do Ho Suh's Fallen Star @ UC San Diego's Stuart Collection

Asian Art Korean art

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Harry Potter casts his spells on the ArtScience Museum, Singapore

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Graffiti artist Trase does mural on OCBC bank branch

Asian Art Singapore

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Peranakan Museum celebrates Emily of Emerald Hill

Asian Performing Arts Singapore

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Zao Wou-Ki: Master Printmaker — Asia’s First Major Retrospective

Zao Wou-Ki Untitled 1960 etching and aquatint Zao Wou-Ki occupies a rare position in twentieth-century abstraction: a Chinese-born artist fully at home in Paris, yet one who never abandoned the visual memory of his early training in ink and calligraphy. His work synthesised Eastern technique with European modernism, creating a vocabulary entirely his own. From December 13, 2025 to May 3, 2026, M+ in Hong Kong presents Zao Wou-Ki: Master Printmaker , Asia's first major exhibition dedicated entirely to the artist's graphic works. While Zao is often celebrated for his monumental canvases, this retrospective repositions his work on paper as a laboratory of invention—revealing a practice as exploratory and rigorous as his painting. Zao Wou-Ki Piazza Siena 1951 oil on canvas The exhibition will comprise nearly 180 works, spanning five decades and covering Zao’s development from early post-war experiments in Paris to his late-1990s explorations. Early pieces show his...

When Artists Turned to the Fan: The Met Revisits a 19th-Century Obsession

Henri-Gabriel Ibels (French, Paris 1867–1936 Paris). Circus Fan , ca. 1893–95. Lithograph on silk fan leaf. In the late 19th century, European artists found unexpected freedom in a surprisingly modest format. Edgar Degas sketched dancers across crescent-shaped compositions meant to echo the sweep of a folding fan; Camille Pissarro experimented with pastoral scenes that curved gently outward, as if opening toward the viewer; others played with metallic pigments, feathers, or lacquer, borrowing directly from the vocabulary of fan makers. In their hands, the fan became a hybrid object — part canvas, part design surface The allure of the fan had deep roots. By the 18th century, it was far more than a flirtatious prop; it served as a tool of education, political messaging, and even discreet surveillance. Women carried fans that could be read like small social scripts, their materials and motifs signalling taste, status, and worldliness. ...

From Memory to Joy: Chun Kwang Young's Chromatic Evolution

Chun Kwang Young - Courtesy Sundaram Tagore Gallery/Artist Chun Kwang Aggregation series has long been synonymous with contemplative earthy tones and meditative restraint—muted browns, greys, and sepias echoing hanji's organic origins and the tactile intimacy of Korean tradition. Yet throughout his long, established career, the Korean master has also regularly evolved, slowly injecting colors into his creations. His most recent works, which will be on display at several galleries at Frieze Seoul and KIAF Seoul in September, showcase a profound chromatic awakening, demonstrating that at 81, the artist is still pushing himself to explore new chromatic territories. Courtesy Sundaram Tagore Gallery/Artist His once subdued surfaces now pulse with vibrant hues—saturated pinks, indigo blues, luminous yellows—each drawn from natural dyes like gardenia, safflower, turmeric, and sappanwood. The transformation is arresting. Where once Chun's triangular hanji parcels clustered in muted t...

Taking Photography to New Heights

In 1858, Gaspard-Félix Tournachon, also known as Nadar, rose 80 meters above the small French village of Petit-Becetre in a hot air balloon and captured the earliest recorded aerial photograph. Two years later James Wallace Black repeated the feat on the other side of the world, taking photographs of Boston from Samuel King’s hot air balloon the “Queen of the Air.” Other early aerial-photography pioneers experimented with kites and carrier pigeons to carry their cameras up in the air using a timer to take a shot over which they had no control. With the outbreak of World War I, the development of aerial photography intensified as the images provided useful intelligence gathering opportunities and by the end of the war purpose-built cameras could be placed in the floor of military aircraft to capture multiple shot beyond enemy lines. Though early aerial photography was often done for topographic or military purposes, it was elevated to an art form in the 1950s by American ph...

From Singapore to the Palais-Royal: Cuturi Gallery to Open in Paris

Kevin Troyano Cuturi brings his Singapore gallery to Paris this March, opening at 24 Galerie de Montpensier in the Palais‑Royal gardens — a location notable as the former home of Didier Ludot’s vintage couture boutique. Lionel Sabatté Since 2019, Cuturi Gallery has championed Singaporean artists such as Khairulddin Wahab, whose work engages with memory and urban landscapes, and Faris Heizer, known for installations that explore space and medium. Through satellite exhibitions in London and participation in international fairs, the gallery has extended these artists’ visibility beyond Singapore The Paris opening will feature the inaugural exhibition, Decadence and Decay , pairing Southeast Asian artists with French figures including Hubert Le Gall and Lionel Sabatté, the latter was recently awarded the 2025 Prix Marcel Duchamp. Curated by Deborah Lim, the show will investigate the theme of beauty as it shifts and decays, connecting art, design, and fashion. Cuturi Gallery plans to p...

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