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By Sonia Kolesnikov-Jessop

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Interview: Erwin Wurm on his Humanoid Sculptures

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Old Masters Are Suddenly Hip Again

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Machine Thinking: AI and Art

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The Power of Youth: A younger base of collectors in Asia looks beyond their region

Art Fairs Asian Art Auctions Published stories Singapore

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Art Market Outlook for 2019: Cautious times ahead

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In the Studio with British Artist Nigel Cooke

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Olafur Eliasson, Sculptor of Light and Space

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A Poet Builder, Renzo Piano on the art of building

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Cuba through the eyes of Carlos Garaicoa

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Popular Posts

The Ultimate Art Depot: Depot Boijmans Van Beuningen

Space constraints may not come to mind when walking through Le Louvre in Paris, the Metropolitan Museum in New York or the National Gallery in Singapore, yet most museums around the world share a common problem: their collections are far too big to be fully displayed within their walls. As a result the majority of most museum’s artworks languish far from the public eyes, often only accessible to art professional, historians and researchers. The Louvre in Paris displays about 9% of the 380,000 works of arts in its collection, while the V&A Collection in London shows about 24% of its “display” collection thanks to two locations (the V&A Galleries and the Museum of Childhood). In Singapore, the National Gallery shows about 10% of its collection of over 8,000 works in its long term exhibitions presented in the DBS Singapore Gallery and UOB Southeast Asia Gallery while some additional artworks may also be displayed in special or travelling exhibitions. While some ...

T.O.P Calls on Friends for his guest-curated auction at Sotheby’s

Photographer: Hong Jang Hyun. Photo Production: Gary So @ Mad Carrot Production Paik Nam June, Fat Boy , 1997, Estimate: HK$3,500,000 – 4,500,000 / US$ 449,000 – 577,500 Korean rapper and actor Choi Seung-hyun, aka T.O.P has worked with Sotheby’s to guest-curate an evening sale of Western and Asian contemporary art in Hong Kong taking place on October 3.

Shin Sung Hy': Weaving Paint into Space

Throughout his career, Korean artist Shin Sung Hy (1948–2009) questioned painting's fundamental nature—canvas, support, and paint—through material experimentation that transformed flat surfaces into sculptural objects. A Solution to Continuity (Solution de Continuite), 1994, Acrylic and oil on canvas Running September 4 to October 18, 2025, at Gallery Hyundai New York Project Space, the solo exhibition "Body of Work" will showcase how i the late Korean artist's revolutionary approach to painting blurred boundaries between two and three dimensions. Shin's practice evolved through four distinct periods: the “monochrome hyper-realistic painting” series, jute paintings (1974–1982), “collaged paperwork” series, collage (1983–1992), “sewn-canvas” series, couturage (1993–1997), and “knotted-canvas” series, nouage(1997–2009). The exhibition focuses on his last two series . In his couturage works, he painted canvases, cut them into strips, then stitched them back togeth...

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