Skip to main content

LuxArtAsia

An insider view on Arts and Luxury News

Search This Blog

By Sonia Kolesnikov-Jessop

Posts

VIP Fair closes Sunday

Asian Art Chinese art

+

Get link
Facebook
X
Pinterest
Email
Other Apps

News - Ho Tzu Nyen chosen to represent Singapore in Venice

Asian Art Singapore

+

Get link
Facebook
X
Pinterest
Email
Other Apps

Must See - Eric Khoo's Tatsumi

Asian films Singapore

+

Get link
Facebook
X
Pinterest
Email
Other Apps

Opening - Wang Qingsong @ International Center for Photography in NY

Asian Art Chinese art

+

Get link
Facebook
X
Pinterest
Email
Other Apps

Auction result - Chinese export art at Christie's

Auctions Chinese art Christie's

+

Get link
Facebook
X
Pinterest
Email
Other Apps

News - Ai Weiwei's sunflower seeds coming up at auction

Asian Art Auctions Chinese art Sotheby’s

+

Get link
Facebook
X
Pinterest
Email
Other Apps

Openings - BenCab at STPI, Roberto Chabet at LASALLE

Asian Art Philippines Art Singapore

+

Get link
Facebook
X
Pinterest
Email
Other Apps

Auction - Four rare Queen Victoria stamps achieved HK$6.4 million

Auctions Luxury

+

Get link
Facebook
X
Pinterest
Email
Other Apps

Total Pageviews

FOLLOW LUXARTASIA ON

FACEBOOK
INSTAGRAM

Popular Posts

Zao Wou-Ki: Master Printmaker — Asia’s First Major Retrospective

Zao Wou-Ki Untitled 1960 etching and aquatint Zao Wou-Ki occupies a rare position in twentieth-century abstraction: a Chinese-born artist fully at home in Paris, yet one who never abandoned the visual memory of his early training in ink and calligraphy. His work synthesised Eastern technique with European modernism, creating a vocabulary entirely his own. From December 13, 2025 to May 3, 2026, M+ in Hong Kong presents Zao Wou-Ki: Master Printmaker , Asia's first major exhibition dedicated entirely to the artist's graphic works. While Zao is often celebrated for his monumental canvases, this retrospective repositions his work on paper as a laboratory of invention—revealing a practice as exploratory and rigorous as his painting. Zao Wou-Ki Piazza Siena 1951 oil on canvas The exhibition will comprise nearly 180 works, spanning five decades and covering Zao’s development from early post-war experiments in Paris to his late-1990s explorations. Early pieces show his...

When Artists Turned to the Fan: The Met Revisits a 19th-Century Obsession

Henri-Gabriel Ibels (French, Paris 1867–1936 Paris). Circus Fan , ca. 1893–95. Lithograph on silk fan leaf. In the late 19th century, European artists found unexpected freedom in a surprisingly modest format. Edgar Degas sketched dancers across crescent-shaped compositions meant to echo the sweep of a folding fan; Camille Pissarro experimented with pastoral scenes that curved gently outward, as if opening toward the viewer; others played with metallic pigments, feathers, or lacquer, borrowing directly from the vocabulary of fan makers. In their hands, the fan became a hybrid object — part canvas, part design surface The allure of the fan had deep roots. By the 18th century, it was far more than a flirtatious prop; it served as a tool of education, political messaging, and even discreet surveillance. Women carried fans that could be read like small social scripts, their materials and motifs signalling taste, status, and worldliness. ...

Painted Threads, Hidden Truths: Abi Dionisio at FOCUS London

At this year's FOCUS Art Fair London at the Saatchi Gallery, Abi Dionisio's mini-exhibition When Threads Take Turns stands out immediately. Her paintings are trompe l'œil works that look like embroidered fabric at first glance—you have to do a double take to realize you're looking at paint on canvas. It's a clever trick, but it's also the key to understanding what she's actually doing. Dionisio pairs small, detailed embroideries with large-scale paintings that reproduce the reverse side of the stitched work. From the back of an embroidery, you see thread knots, loose ends, and the structural work that holds the image together. That's what she paints. The gesture is simple but profound: she's showing us that meaning exists on both sides. The finished, polished surface tells only half the story. The hidden side—the labor, the time, the technique—is equally real and equally important. This approach runs through her entire practice. Every stitch is a ma...

Taking Photography to New Heights

In 1858, Gaspard-Félix Tournachon, also known as Nadar, rose 80 meters above the small French village of Petit-Becetre in a hot air balloon and captured the earliest recorded aerial photograph. Two years later James Wallace Black repeated the feat on the other side of the world, taking photographs of Boston from Samuel King’s hot air balloon the “Queen of the Air.” Other early aerial-photography pioneers experimented with kites and carrier pigeons to carry their cameras up in the air using a timer to take a shot over which they had no control. With the outbreak of World War I, the development of aerial photography intensified as the images provided useful intelligence gathering opportunities and by the end of the war purpose-built cameras could be placed in the floor of military aircraft to capture multiple shot beyond enemy lines. Though early aerial photography was often done for topographic or military purposes, it was elevated to an art form in the 1950s by American ph...

From Memory to Joy: Chun Kwang Young's Chromatic Evolution

Chun Kwang Young - Courtesy Sundaram Tagore Gallery/Artist Chun Kwang Aggregation series has long been synonymous with contemplative earthy tones and meditative restraint—muted browns, greys, and sepias echoing hanji's organic origins and the tactile intimacy of Korean tradition. Yet throughout his long, established career, the Korean master has also regularly evolved, slowly injecting colors into his creations. His most recent works, which will be on display at several galleries at Frieze Seoul and KIAF Seoul in September, showcase a profound chromatic awakening, demonstrating that at 81, the artist is still pushing himself to explore new chromatic territories. Courtesy Sundaram Tagore Gallery/Artist His once subdued surfaces now pulse with vibrant hues—saturated pinks, indigo blues, luminous yellows—each drawn from natural dyes like gardenia, safflower, turmeric, and sappanwood. The transformation is arresting. Where once Chun's triangular hanji parcels clustered in muted t...

Categories

Architecture
Art Fairs
Artist Interview
Asian Art
Asian fashion
Asian films
Asian Performing Arts
Auctions
Bonhams
Books

Burmese Art
Cambodia Art
Chinese art
Christie's
Hong Kong
Indian art
Indonesia Art
Japanese Art
Korean art
Larasati
Luxury
Malaysian art
Museum
Music
Philippines Art
Published stories
Singapore
Sotheby’s
Thai Art
Travel
Vietnamese Art
Watches

Show more Show less

Powered by Blogger

LUXARTASIA