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By Sonia Kolesnikov-Jessop

Showing posts with the label Asian Art

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Ai Weiwei Takes Over Le Bon Marché

Artist Interview Asian Art

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Lee Wen, Aye Ko, Nguyen Trinh Thi vie for Joseph Balestier Award for the Freedom of Art

Asian Art Singapore

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Wu Guanzhong’s Major Retrospective Showcases Lesser Known Oil Works

Asian Art Korean art Singapore

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A review of the UOB Southeast Asia Gallery at the National Gallery Singapore

Asian Art Museum Singapore

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A review of the DBS Singapore Gallery at the National Gallery Singapore

Asian Art Museum Singapore

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2015 Market Report: The Changing Taste of Asian Art Collectors

Asian Art Auctions Published stories

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Andre Tan Movie-Theme Artworks Pop

Asian Art Singapore

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15 Artworks Revealed for Asia Pacific Breweries Foundation Signature Art Prize 2014

Asian Art Singapore

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Curator Loredana Pazzini-Paracciani on Anthropos New York

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Magnus Renfrew To Move from Art Basel to Bonhams as Deputy Chairman Asia in Sep

Asian Art Auctions Bonhams

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Wong Keen Showcases ‘Second Nature’ at Artcommune Gallery

Asian Art Singapore

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Eric Chan's Storytelling Works at Chan Hampe Galleries

Asian Art Singapore

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Delia and Milenko Prvacki Present "Passage"

Asian Art Singapore

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The Mecene: UBS Banking on Art

Asian Art Luxury Published stories

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Art Basel in Hong Kong 2014 Scorecard: What Worked Well and What Didn't

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Art Apart Fair Returns July 18 with Focus on Eastern Europe

Asian Art Singapore

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SHOW THAT MATTERS: “No Country" at ICA

Asian Art Singapore

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Lee Wen's Time to Shine at Art Basel Hong Kong 2014

Asian Art Singapore

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2014 Market Report: Auction Houses Zoom in on New Collectors

Art Fairs Asian Art Auctions Published stories

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S. Sudjojono, Sudjana Kerton at Sotheby’s HK April 5

Asian Art Auctions Indonesia Art Sotheby’s

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A Year of Landmark Exhibitions for Anish Kapoor

Void Pavilion VI, 2018. Photograph by Nobutada Omote © Anish Kapoor Anish Kapoor’s work has always challenged the way we perceive space, weight, and the very matter of our surroundings. In 2026, the artist takes this exploration to an unprecedented scale with a series of solo exhibitions around the globe. From intimate galleries to landmark museums, each presentation will aim to offer a distinct encounter with Kapoor’s sculptures, paintings, and immersive installations — a journey through reflection, void, and transformation. Anish Kapoor, Void Pavilion VI, 2018. Wood, concrete, pigment, 6 x 6 x 12 m. Photograph by Nobutada Omote © Anish Kapoor. All rights reserved, DACS, 2025 jp Anish Kapoor, Mount Moriah at the Gate of the Ghetto , 2022. Mixed media, 12.8 x 6.8 x 3.9cm. Photograph by Attilio Maranzano. © Anish Kapoo 8 February – June 2026: SCAD Museum of Art, Savannah, USA Kapoor's first solo exhibition, exclusively dedicated to paintings in the USA and engaging with the museum...

Henry Moore’s Nature of Form Takes Root at Kew Gardens

"There's no need to go to Greece to see sculpture," Henry Moore once said. "All the sculpture one needs is in a pebble on the beach." It’s a remark that feels almost casual until you find yourself at Royal Botanic Gardens, Kew , circling a two-tonne bronze and realising it is not a statement to be read, but a way of looking. Monumental Nature unfolds across Kew’s 320 acres, with thirty sculptures dispersed through lawns, vistas and pathways, with a parallel presentation at the Shirley Sherwood Gallery tracing the artist’s process through drawings, prints and rarely seen works on paper. The effect is not simply scale, but movement — an exhibition designed to be read through walking. What becomes apparent almost immediately is how much the experience depends on shifting position. A sculpture seen head-on is never the same object encountered a minute later from the side, or framed suddenly against a line of trees. Step by step, the works recompose themselves. ...

Zao Wou-Ki: Master Printmaker — Asia’s First Major Retrospective

Zao Wou-Ki Untitled 1960 etching and aquatint Zao Wou-Ki occupies a rare position in twentieth-century abstraction: a Chinese-born artist fully at home in Paris, yet one who never abandoned the visual memory of his early training in ink and calligraphy. His work synthesised Eastern technique with European modernism, creating a vocabulary entirely his own. From December 13, 2025 to May 3, 2026, M+ in Hong Kong presents Zao Wou-Ki: Master Printmaker , Asia's first major exhibition dedicated entirely to the artist's graphic works. While Zao is often celebrated for his monumental canvases, this retrospective repositions his work on paper as a laboratory of invention—revealing a practice as exploratory and rigorous as his painting. Zao Wou-Ki Piazza Siena 1951 oil on canvas The exhibition will comprise nearly 180 works, spanning five decades and covering Zao’s development from early post-war experiments in Paris to his late-1990s explorations. Early pieces show his...

From Singapore to the Palais-Royal: Cuturi Gallery to Open in Paris

Kevin Troyano Cuturi brings his Singapore gallery to Paris this March, opening at 24 Galerie de Montpensier in the Palais‑Royal gardens — a location notable as the former home of Didier Ludot’s vintage couture boutique. Lionel Sabatté Since 2019, Cuturi Gallery has championed Singaporean artists such as Khairulddin Wahab, whose work engages with memory and urban landscapes, and Faris Heizer, known for installations that explore space and medium. Through satellite exhibitions in London and participation in international fairs, the gallery has extended these artists’ visibility beyond Singapore The Paris opening will feature the inaugural exhibition, Decadence and Decay , pairing Southeast Asian artists with French figures including Hubert Le Gall and Lionel Sabatté, the latter was recently awarded the 2025 Prix Marcel Duchamp. Curated by Deborah Lim, the show will investigate the theme of beauty as it shifts and decays, connecting art, design, and fashion. Cuturi Gallery plans to p...

Exploring The Long Now at Saatchi Gallery: 40 Years of Art Shaping the Future

Allan Kaprow’s YARD and Conrad Shawcross’s Golden Lotus (Inverted) Two installations set the tone for Saatchi Gallery’s ambitious 40th-anniversary exhibition: Allan Kaprow’s YARD , a chaotic arrangement of car tyres inviting viewers to physically engage with the work, and, suspended directly above it, Conrad Shawcross’s Golden Lotus (Inverted) — a vintage Lotus car reimagined as a kinetic sculpture. Together, they encourage visitors to become participants rather than passive observers. The Long Now , running until March 1, 2026, takes its name from a concept advocating long-term thinking. Curated by Philippa Adams, the exhibition pushes back against throwaway culture by pairing historic works that remain powerfully relevant with bold new commissions. “At its heart, The Long Now reaffirms the Gallery’s role as a platform for artists to challenge conventions and shape conversations that extend beyond its walls,” says Adams. Alice Anderson, Chance Composition 206, 2024. Courtesy of t...

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